Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Sunday, February 14, 2016

The Comparison - Part 4

*Warning: Spoilers. Probably nothing that I haven't yet spoiled in the rest of this series, but you never know.*

Well, here we are, in the final installment of The Comparison--where I finally get around to the actual comparing of the two things I set out to compare. I've talked about Treasure Island (in two separate installments, no less!) and about its less-well-known adaptation, Treasure Planet. I've given an overview of opinion on both pieces of media, and now I'm going to compare and contrast them. As with both of the preceding reviews, this will be divided up into Plot, Characters, and Setting. So here we go with the thrilling conclusion...

***

First up: Plot.

As I mentioned in the last post, Treasure Planet is a movie, and not a particularly long one, so it didn't have the space to really stretch the story out the way the book did. This is actually a common thing; most book-to-movie adaptations have to cut some details for the sake of time. (Unless you're Peter Jackson, in which case you add details in order to take up more time. I'm still bitter.) Generally the question isn't whether the adaptation cut anything, but what they cut and how well they did it. 

In this case? I think Treasure Planet did a good job of condensing the plot. 

For one thing, they cut out the overly-long beginning, which I was really glad for. In the movie, Billy Bones shows up, he gives Jim the map (actually gives it to him!), mutters a vague warning about "the cyborg", and dies. Bam, we have kickstarted the plot.

This continues throughout the movie: everything that happens happens for a reason, to advance the plot somehow. Either it contributes to what's going on, or it gets cut. And it works.

Probably the biggest difference of all from book to movie is that the movie added an emotional subplot/arc that was not there in the book. This actually tied in well, I think, with the direction the adaptation was going. See, if you'll remember, back in my first Treasure Island post I talked about how Long John Silver's betrayal doesn't seem to have a lot of emotional effect on the characters. I also mentioned how the author didn't seem sure of how he was trying to portray Silver/build up the betrayal. Of course, both of these things were done fairly well, and I think in the context of the longer book they worked out. However, these creative decisions wouldn't have worked for a simplified, faster-paced version of the story, and I think the screenwriters knew this. Thus, I really like how it worked out in Treasure Planet.

You see, in the movie, the first mention of Silver we hear is Billy Bones telling Jim to "beware the cyborg" just before he croaks. Shortly afterward, we see a mysterious cyborg-looking shadow lead a group of pirates in burning the Benbow Inn. Thus, when we first meet John Silver, he's already been established as a very shady, if not outright villainous, character. That makes it all the more touching/suspenseful to watch him and Jim form a father-son bond, and that, in turn, makes his subsequent betrayal all the more terrible.

As a side note, in the movie, I feel like Mr. Arrow's death was tied into the greater plot in a way that made more sense. In the book, as I've said, Arrow is a drunk loser who falls overboard during a rainstorm and nobody cares. In the movie, Mr. Arrow is an upstanding first mate--a good friend and confidant of the captain--who is killed by Scroop, who then makes it look like it was indirectly Jim's fault. This ties into Jim's arc and his relationship with Silver, but it also establishes just how far Scroop is willing to go as a villain, and it's a genuinely tragic moment, since Arrow was such a great guy.

And of course--spoiler warning here--the ending of the movie is vastly different from the book. Flint's trap is a big difference (that wasn't present in the book), as is the treasure being destroyed and the last-second escape from the treasure horde place.

Silver still gets away from the good guys and escapes justice in the book, though.

(There you go. I just told you the whole ending. Now you don't have to watch the movie.)

Next up: Characters.

The characters in Treasure Planet are mostly similar to those in the book. However, there are some differences here worth talking about, so here we go.

First up: Jim Hawkins. Jim Hawkins, in the movie, is older than his book counterpart. (He's fifteen in the movie, if I'm remembering correctly.) He's very smart, but he's also reckless and sullen, feeling he has no future worth considering.

The main difference with this character is probably his recklessness. As I said in my first Treasure Island post, I feel like Jim's impetuousness wasn't a very consistent character trait. This isn't the case in the movie; Jim is very reckless and while it sometime helps him or works out in his favor, other times it's purely self-destructive. It's also part of his character arc: over the course of the movie he learns to harness his impulsiveness and think through his actions more.

Next is Dr. Delbert Doppler, who as far as I can tell is a composite character, a cross between Squire Trelawney and Dr. Livesey from the book. He's got Trelawney's naivete about the workings of the world, but he's also got Livesey's intelligence and doctorate. (He's not a medical doctor in the movie. So that's different.) He occasionally functions as comic relief, but he's also a character in his own right. (He's also, in the movie, an alien that kinda looks like a dog. It's a little weird.)

I already talked about Captain Amelia, who's different enough from her book counterpart that she counts as her own character. I don't want to repeat myself, so all I'll say is: I really like Captain Amelia and I'm glad she's in the movie. She's a great character.

The other female character in the movie is Jim's mother, Sarah Hawkins, the sole proprietor of the Benbow Inn. Yes, that's right: the movie removed the character of Jim's father, and they did it for a few good reasons. A) Jim's dad doesn't do much in the book other than get sick and die in the beginning. B) Jim's abandonment issues concerning his father tie into his emotional arc and the relationship he has with Silver. C) It's just all around a more economical use of a character. In my opinion, anyway.

And then, of course, there's Silver, the villain.
Silver is... well, he's actually pretty similar to his book incarnation. He's smart, fast-talking, eloquent, ambitious, murderous, and he hides it all under an exterior that's kind, friendly, and respectful of authority. However, in the movie, his relationship with Jim is a lot more pronounced, and a lot more integral to the story. Also, as far as I can tell, he never knew Captain Flint personally in the movie.

And... I think that actually wraps it up for the Characters section. I'm running short on space here, so let's move along to Setting.

The settings... well, whether you're in the book or the movie, the settings are beautifully imagined and communicated to the audience. The scale is much larger in the movie (they're travelling between planets, through space), but that comes with the territory in a sci-fi film. Obviously the movie is inherently more visual, but if you've read the book you know that Robert Louis Stevenson held nothing back in his descriptions of his settings. (Especially the island itself.) So I actually think the book and movie are pretty similar in that respect. And I think it's somewhat indicative of the overall spirit of the adaptation: there are several changes in terms of aesthetic and scale, but the overarching plot and characters are pretty similar to those in the book.

***

So that's The Comparison! I have to say, I'm glad this series is over, but I haven't regretting writing it. (Remember, folks, this was originally all supposed to be one post.) Actually, I'm largely glad this is over so that I can get to posting about other things. I've got some good things in the works, including a book review and a particularly relevant history post. So stay tuned for that stuff... and feel free to come bug me over at my newly minted Facebook and Twitter pages! And as always, feel free to leave any thoughts, questions, or critiques in the comments section.

Until next time: adiós!

Wednesday, February 3, 2016

Treasure Planet - The Comparison, Part 3

*Warning: Spoilers. You guys know the drill by now.*

Aaaand we're back, with part three of the comparison! It's been kind of a crazy few days since I last posted, but the good news is that my library request came in, I watched it, and now I'm ready to review Disney's 2002 sci-fi adaptation of Treasure Island.

So here we go.

***

To start: Treasure Planet is one of Disney's early-2000's movies, and it isn't well known for a few reasons. For one thing, the premise is a little weird and doesn't appeal to everyone. (It's Treasure Island, but in a setting that's a cross between Pirates of the Caribbean and Star Wars. Like I said, weird, and that's coming from someone who really likes it.) Another reason is that it did terribly at the box office, meaning Disney didn't have much incentive to spend a lot on post-release merchandising or a sequel. 

All that said, it's a weird, mostly unknown, pretty underrated movie, but the writing is pretty solid and the visuals are gorgeous. 

First up for me to talk about is the writing, otherwise known as the plot. Treasure Planet is a movie, and not one of those crazy three-hour movies, so the screenwriters naturally had to compress the story somewhat. And, in my opinion, they did it well; overall, the story is tight, with a logical, emotional character arc, and with plenty of action. It doesn't drag at all. (Remember when I was complaining about the beginning of the book being too long? Yeah.)

The story is still presented from Jim's point of view, with a few deviations. (And by deviations, I mean scenes that are used to establish the villain and maintain tension.) Also, everything that happens to move the plot happens for a reason; there's a nice tension between characters making choices and movements for themselves, and characters being forced to move because of something the villain(s) did. 

The movie also remedied the lack of tension in the latter third of the story. (Remember that? Where there was pretty much no chance that the pirates were going to win?) In the movie, it looks like the pirates might just win, right up until they trigger the trap that starts destroying the treasure. 

Also, everything in the plot moves faster from a physical standpoint, because space travel. 

Moving on: Characters!

Treasure Planet maintains most of the main characters from the book, with the caveat that most of them are aliens or robots (or both). This is because of the setting. It's a little strange at first. Whether you get into it or not as the movie goes on is up to you. This is where the movie deviates from the book a good deal; I'll reserve my thoughts on that for the next and final installment in this series. For now, since you've heard my thoughts on most of the characters, I'll just talk about the original(ish) characters that the movie added/played around with. 

The most prominent original-ish character is Captain Amelia, who replaces Captain Smollett in the story. (Also, as a note, the ship's name in the movie is the Legacy, rather than the Hispaniola. Make of that what you will.) Amelia basically serves the same purpose as Smollett: she doesn't like the crew, she's an iron-willed leader who helps fight the mutineers, she gets wounded and sorta taken out of commission during one of the fights. The main things that make her distinct and original are a) she's an alien, b) she's involved in a romance (of which there was none in the book), and c) she's the only main female character in the story (this is related to point b). This is refreshing because in the book, the only female character was Jim's mother (who is also in the movie, and is a bit more fleshed out). I guess you could say that Amelia is proof that you can have female characters in your story without compromising the way you were planning to characterize them.

The other character that was pretty much just made up for the purposes of the movie is Scroop, a.k.a. the really unsympathetic guy you're supposed to hate because he's a terrible person. (Most movies have one of these. On one hand, I know it's often a necessary storytelling technique, but on the other hand, it just bugs me so much. No one in real life is that one-dimensional!)
Anyway, Scroop is a spider-like alien who, as far as I can tell, is a composite of several one-off, villainous pirates from the book. He largely exists to create extra conflict and to do the stuff that would make our sympathetic villain look bad. (Like killing people.) He also ends up dying, in a manner suspiciously similar to the way Israel Hands from the book died, which leads me to believe that that's his closest counterpart. But again, it's debatable, since Scroop is probably a combination of several. 

So that covers the semi-original movie characters. 

Finally, we have Setting, and this is the part where I'm really going to rave about the movie. (So if you really didn't like it or something, you can skip this part. I guess.)

Treasure Planet was made as Disney was beginning to experiment with 3-D animation, and it's revolutionary in its own way, in that it's one of the first movies where 2-D and 3-D animation were blended. You can still tell where the 3-D animation is, but for the most part the two styles mesh very well and don't distract from the story. And the designs--the designs for everything, but especially for sets and backgrounds, are breathtaking and gorgeously animated. From the busy spaceport of Montressor to the Legacy itself to the titular planet, everything is wonderfully designed and animated. What's most impressive to me is the design for Long John Silver, who's a cyborg in the movie. He's mostly animated in 2-D, but his cyborg parts--a leg, an eye, and an arm--are all 3-D, and they're seamlessly animated. Seriously, this is one of those movies that you could watch on mute just to look at how beautifully it was done. 

Additionally, the scope of the story is expanded in the movie, which is a normal thing in sci-fi. Rather than various geographic locations, the different settings are planets. I think this expansion was particularly well-handled in the case of Treasure Planet itself. The fact that it's an entire planet rather than--I don't know, a moon, or something--factors nicely into the plot.

As a final point, event though the movie has a sci-fi setting, it still has many of the trappings of the traditional 18th Century Piracy genre. The Legacy looks and acts like an 18th Century sailing ship, with modifications for space travel. (A warning: almost nothing in this movie is scientifically accurate.) It even has barnacles, cannons, and longboats. The stationary settings, like the Benbow Inn and Montressor spaceport, also look a lot like 1700's locales, but they're populated with aliens and have just enough futuristic tech to support the sci-fi image.

So that's the setting. In my opinion, Treasure Planet is high on the list of Disney's beautifully designed films, and the way both kinds of animation were used is truly impressive.

***

That more or less concludes my review of Treasure Planet. You'll notice that it's shorter than my review of Treasure Island. This is because I'm saving a lot of my opinions for the straight-up comparison of the two, which will be in the next post. In the meantime, I highly recommend that you at least try watching Treasure Planet. (It's unfortunately no longer available to stream on Netflix, but it is available in DVD format. Also try your local library.) If you like Star Wars, there's a good chance you'll like it. And if you don't, you might also try muting it and enjoying the animation and design. 

So that's Treasure Planet. Tune in next time for the thrilling...ish... conclusion of the ridiculous and long comparison series. Adiós!

(To Be Concluded...)

Thursday, April 3, 2014

On Snow [Review for Disney's Frozen]

*Warning: Unmarked spoilers for the second half of the movie may follow. If you haven't seen Frozen yet but still want to in the near future, I don't advise reading this blog post.*

Dear White Witch (née Jadis),

Elsa is way better than you. 

Sincerely, 
A Concerned Fan


***

So I finally saw Frozen recently, after it was ordered from Amazon and shipped to my family's house because we never saw it in theaters and we were too lazy to drive five minutes to the nearest BX/Target and get it on DVD.

Also, because Amazon is usually cheaper.

Anyway, I finally saw Frozen. I am now sick of it because all the songs have been in my head ever since. But I saw it, so now I'm going to review it.

Onward we go, I guess.

Good/Favorite Bits:

  • The songs. Dear StarClan, the songs. They're amazing (except for Love is an Open Door, which kind of annoyed me--but more on that later), and once they get in your head, they won't quit. But they're nonetheless amazing. 
  • Anna. Just... Anna. She is so cute, especially as a kid. Really, it's like the animators looked at Rapunzel from Tangled, said, "We can do cuter", and then did.
  • Disney seemed to have a blast upending its own stereotypes in this movie, which I always enjoy. The first love doesn't win the girl, the concept of True Love isn't all about your boyfriend kissing you (boy, did I enjoy that one), and the overall theme is love--real love, not just love of the romantic sort. 
  • Olaf. I tend to despise kiddy comic relief characters (seriously, don't even get me started on Jar Jar Binks) but Olaf is really just too funny for me to hate. And that's a good thing. 
  • Kristoff. Just... Kristoff. 
  • Also, I kinda hate to admit this, but Hans really is gorgeous. (Anna's words, not mine.)

Bad/Least Favorite Bits:
  • The very end of Hans's Villain Monologue. I was loving it right up until he said (in response to Anna's "You won't get away with this") "Oh, but I already have."
    ARGH.
    I really can't express how much I despise that line. In my opinion it sent all of Hans's characterization up to that point straight through the window as he became yet another Cliché Disney Villain™. Some of that characterization was recovered when we got to admire his acting skills in the next scene, but still...
  • As stated above, I really didn't like Love is an Open Door... which is odd, because I really was enjoying the music up to that point. It's probably because it was yet another Cliché Falling-in-Love-Sequence Song™, which are pretty common in Disney movies. It might also be because it was almost immediately preceded by two other songs, both of which were more original and more moving. It got to the point where Love is an Open Door started and I thought Really? More singing? 
  • And... that's really all I've got. 
Conclusion:

Frozen is probably the best Disney movie you'll see for a long while. If you haven't seen it already, I highly recommend buying or renting it. It's fresh and original, but not so much as to be unrecognizable as a Disney film, and it's got a great moral and a heartwarming ending. 

All in all, I give it four and a half out of five stars:


***

And so, another blog post ends. Next review will probably be My Little Pony: Friendship is Magic (don't laugh), unless I come up with something else or think of another good topic. 

See you next time, and have a Happy April!

Tuesday, March 25, 2014

So You Think You Can Annoy the Fans?

Twilight Looking Up and Smiling EG
Every MLP fan's worst nightmare...
If you've read my review of The Hobbit: Desolation of Smaug, you probably know that I don't take kindly to anyone—be they movie director, novelist, or anyone else—messing with my favorite books and movies. Neither do I appreciate the corruption of a franchise I appreciate, such as My Little Pony: Friendship is Magic. 

So, with that in mind, here is a top five list of adaptations, sequels, or thinly veiled marketing ploys spinoffs that I did not appreciate. 

***

#5: The Hobbit: Desolation of Smaug
I have already taken the liberty of reviewing this atrocious creative movie, so let me just sum up my opinion as this: I didn't like it. The movie in and of itself had some nice moments, and while I didn't appreciate the overtly dark tone, it was overall a pretty fun outing. 

However. 

In the context of being a book adaptation, it was horrid. Almost nothing went according to the original work, characters and backstories were added willy-nilly, and almost half an hour (by my estimate) was spent on a superfluous scene that could have been avoided if the director had just taken the time to expound on the things he should have.

So I didn't like it.
(Please note that the first Hobbit movie, while liberal, was good enough to earn a reasonable rating from me. The second one wasn't. As of the writing of this post the third one hasn't yet been released, but at this point my hopes aren't that high.)

#4: My Little Pony Equestria Girls: Rainbow Rocks
This one hasn't been released yet, but it's on the list purely because there's a 99.5% chance that it will be just as terrible as its predecessor.

Which leads me to...

#3: My Little Pony: Equestria Girls
I've already linked to the Wikipedia article in the picture at the top of this post, so I'll be brief here:

I don't like Equestria Girls because it's cliché. I don't like Equestria Girls because it's childish. It's generic. It's boring. And it ruined a part of the My Little Pony franchise for me.

Now, don't misread me. I like My Little Pony: Friendship is Magic because it's the opposite of all the adjectives used to describe EqG above. But Equestria Girls? It was terrible, and frankly I think Hasbro sold themselves short. A My Little Pony movie could have been so much more.

#2: Superhero Squad
Oh the horror...

Okay, so this show is (hopefully) supposed to be a parody. Which I didn't know when I tried to watch it. So I probably ended up taking it way too seriously... but still.

This show is just... stupid.

Seriously, that's all I can think of to describe it. The characters are all one-dimensional to the point of being out-of-character, the villains are that plus being clichéd and brain-dead. And there are no alter egos.

So no Tony Stark. No Bruce Banner. No Carol Danvers, Peter Parker, or Steve Rogers. I didn't know how much I loved alter egos until they stopped being there.

 And there is absolutely no character development what. So. Ever.

Conclusion: If you intend to venture out into the juvenile depths of this show, be prepared to take it with a boulder-sized grain of salt.

#1: Disney's Pocahontas
Admittedly, I had a surprisingly Disney-free childhood. To this day I haven't watched a number of their princess movies, though I do tend to like the ones I have had. So that may contribute a bit of bias to this opinion.

But still...

Disney's adaptation of Pocahontas affronted me, mostly because they, apparently, thought they could play fast and loose with the historical facts. Here's a tip: if you don't think X will make a good movie, then just don't make a movie out of it! But don't, for the love of caramel corn, rearrange facts and redesign characters willy-nilly to accommodate your ideal of the movie!
My other major problem with this movie was its characterization. Both of the main characters were two-dimensional at best, and so was the villain and the one of the two supporting characters. The other supporting character did happen to have some halfway-decent characterization, and he ended up being the only reason I finished the movie.

Conclusion: It's a sad, sad, time when you're watching a historical fiction movie... and end up only finishing it for the sake of the one completely fabricated character.

***

And there you have it! Five complain-y mini reviews, all for the price of one!

Tune in next time to hear me complain about even more stuff!

Or maybe review Star Wars: The Clone Wars. I'm not sure yet. 

And that's all for now, folks!